Orpheus in
the Under-
world

Opera for ordinary folk
High party factor, sophisticated social criticism and a whole lot of sheep and fantastic music: Vidar Magnussen’s version of Orpheus in the Underworld is back!
Deities and debauchery
This is exactly what is needed right now: a wacky world of gods where the party never ends and everyone dances the can-can! At any rate, that is what Eurydice desires. She is tired of the tedious Orpheus and being at his beck and call for what seems like an eternity. The time has come to say no, to laugh and to enjoy an operetta!
What is an operetta?
Opera – there are those who believe that opera is stuffy and serious, with nothing but love and death, grief and sorry and very little laughter. Well, for those who think this – think again. Meet opera’s little sister: operetta!
An operettas pokes fun at opera, at we humans, at gods and at everything serious. And in Orpheus in the Underworld, we poke fun in Norwegian in a completely new reinterpretation of the classic myth.
Mythically beautiful singing
There are several operas about Orpheus, who loses his wife, but sings so beautifully that he is allowed to descend into Hades, the kingdom of the dead, to rescue her. But what if Orpheus is actually happy to be rid of Eurydice? And what if she does not actually want to be rescued?
Vidar Magnussen couldn’t care less about expectations and just does his own thing.
– EYSTEIN SANDVIK, NRK
For ordinary folk
Offenbach’s operetta is such an alternative version. It toys with the myth, with upper-class taste and with power-hungry authorities. In Paris in 1858, some found this offensive, while others found it to be liberating and exciting.
Both die-hard fans and the offended will have plenty of opinions on Orpheus in the Underworld. And all of them was incorporated into the performance as ‘public opinion’. We refer to them as ‘ordinary folk’ and ordinary folk have opinions on just about everything: on opera, on the story and on how it should end. But the ending will not be revealed here because ordinary folk do not like spoilers.
Synopsis
If you think you know the story of Orpheus and Eurydice, think again. According to the myth, Eurydice is bit by a serpent and dies. Using the power of music, Orpheus then attempts to bring her back from the underworld. Orpheus in the Underworld retells the myth about these tragic lovers.
In the world of humans, Eurydice despises her violin-playing husband Orpheus. She has fallen in love with Aristeus, who turns out to be Pluto, the ruler of the underworld, who has come to kill Eurydice and send her to the underworld for all eternity. Orpheus discovers the plan and is ecstatic – because he cannot stand Eurydice either. Public Opinion (in our version called ‘Everyday People’) wants the plot to play out and convinces Orpheus to try to save her. All right, it’s worth a shot.
In order to find Eurydice, Orpheus and Everyday People go to Olympus, where Jupiter rules over a whole bunch of gods. But he is struggling to keep them in line and they, in turn, find his leadership style to be old-fashioned, boring and unfair – especially for women.
Pluto arrives and announces that he has found himself a human lover. Jupiter becomes jealous and wants to join Pluto to meet this Eurydice. The gods then revolt because they, too, want to go to the underworld, where they won’t die of boredom. Just as Orpheus finally reaches Jupiter and his gang, the gods are making their way in direction of the underworld. The timing could not be better because Orpheus plans to join them. Everyday People are delighted that the story is moving in the right direction.
Down in the underworld, Eurydice is bored to tears. It turns out not to be as much fun as expected. Not only that, but she has to suffer the annoyance of men endlessly trying to grope her and is absolutely fed up with men in general. To get close to Eurydice, Jupiter turns himself into a fly. Great idea. As a fly, he attempts to make advances towards her. Very clever. Eurydice starts to realise that she does not need all of these silly men and would rather stand on her own two feet.
The deities then arrive and a huge celebration is held. Orpheus also eventually arrives and meets Eurydice in the underworld. But in following the myth to NOT turn to see if she is behind him, the entire encounter becomes a forgettable digression, as Eurydice could not care less. Everyday People are by and large satisfied, so what better way to end the story than with a can-can!
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Saturday 9. December18:00 / Main Stage
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Thursday 14. December19:00 / Main Stage
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Wednesday 20. December19:00 / Main Stage
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Thursday 28. December18:00 / Main Stage
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Friday 29. December18:00 / Main Stage
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Saturday 30. December18:00 / Main Stage
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Sunday 31. December16:00 / Main Stage
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Thursday 4. January19:00 / Main Stage
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Friday 12. January19:00 / Main Stage