CODA: Snap

A celebration of Oslo’s international dance festival
The CODA festival turns 20! We are celebrating with an anniversary performance with three piping hot new works.
The CODA Oslo International Dance Festival is turning 20 this year – a milestone that cannot go uncelebrated. We are pleased to invite you to the performance SNAP, featuring three diverse contemporary dance works by four choreographers from both Norway and abroad. To snap out of it, to snap awake, to snap at any chance: three works that crawl under your skin and expose the possibilities residing in a dancing body.
Fierce physicality and tenderness
Australian Marc Brew was 20 years old and an up-and-coming young dancer when he was left in a wheelchair after a car accident. Today, he is a celebrated choreographer and international leader in developing inclusive dance works. In un-be-known, nine dancers with and without disabilities come together in a work that combines fierce physicality and tenderness. The result is an honest, unsentimental and deeply human story told through dance.
Brew’s team includes assistant choreographer Georgie Rose, who is involved in the choreographic efforts of the Norwegian National Ballet and personally has the disability variation Tourette’s Syndrome. Her symptoms include tics that she makes a strong effort to control and suppress at all times. This provides the basis for new movement patterns and an exploration of arm movements in her choreographic work.
Sci-fi and mythology
Anna and Berit Einemo Frøysland have been part of the Norwegian National Ballet’s choreographic efforts since they were launched in 2019. In the brand-new Gigant, they take us on a journey into a world inspired by both sci-fi and mythology, a bestiary with trolls and jötunn, groke, golem and other enormous beings – powerful yet also with a sense of loneliness and sorrow about them. A bestiary is natural historic mythical literature. The six dancers on the stage use their body parts as pieces of a jigsaw puzzle and give life to creatures far beyond our imagination – performed to a crackling soundscape that is evidence of tremendous forces at play.
Vulnerable reflection on gender roles and identity
Norwegian-Filipino Carl Aquilizan creates works in an abstract, poetic and often distorted landscape. The solo piece Flower Boy revolves around gender roles in Western and Asian culture. Inspired by butoh – Japanese dance theatre – Aquilizan combines lighting, sound, set design and movement. Flower Boy is a touching performance that reflects his personal experiences with suppressing himself – and the process to take back his identity. Aquilizan has participated in CODA’s Creative Lab, a two-year programme in which young choreographers receive guidance and the possibility to build a network.
- The Norwegian National Ballet’s choreographic efforts are part of a three-party collaboration between Norsk Tipping, Talent Norway and the Norwegian National Opera & Ballet.
- The CODA Oslo International Dance Festival is funded by the Nordic Council of Ministers and the DAM Foundation.