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Láhppon
Lost

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Running
31. October–​9. November
Scene
Main Stage
Duration
1 h

The Kautokeino Rebellion as a ballet

Past and present converge when two of the Nordic region's emerging choreographic voices collaborate with the Norwegian National Ballet for the first time.

Dancing the unspoken 

Láhppon/Lost has an extremely physical narrative, an echo of the Kautokeino rebellion told through ballet.  

The Kautokeino Rebellion was a religious-political revolt that took place in 1852. It marked a turning point after years of conflict between the Sámi and the Danish-Norwegian authorities – and is a story that relates to the struggles seen today around the world. 

The Norwegian National Ballet lets dance convey the complexity of the uprising: the conviction of right and wrong, the fight for survival and the relentless oppression – but also the silence, the tension, the fear and resignation. 

A dark chapter in history 

While doing research for the production, choreographer Elle Sofe Sara discovered that six of her relatives participated in the uprising. This gave her a new perspective on what is described as the most violent event in Sámi history. 

Elle Sofe's methodology  Hide Show more

Elle Sofe Sara's approach to developing new artistic works includes interviewing people who have physically experience the subject matter – and who continue to live with its effects. 

On this occasion, she interviews descendants of the rebels and those who suppressed the uprising. She also interviews academics, pastors and psychologists who can shed light on human mechanisms at play in such situations. 

These oral interviews are an important addition to existing written sources – especially in understanding how the echo of the rebellion has evolved from generation to generation in the affected families. 

Together with Hlín Hjálmarsdóttir, she examines the rebellion from the current global perspective – at a time when we are once again witnessing deepening divides, lives being lost and leaders abusing their power. 

Created for the Oslo Opera House’s main stage 

Elle Sofe Sara is regarded as one of the most important and interesting choreographers of her generation in Norway. By joining forces with the Icelandic choreographer Hlín Hjálmarsdóttir, they are creating their first work for the Norwegian National Ballet together. 

About Elle Sofe Sara Hide Show more

Elle Sofe Sara (b. 1984) is a choreographer and director who lives and works in Kautokeino in Finnmark. She was awarded the Dance Critics' Award 2022–2023 alongside Joar Nango and Carte Blanche – The Norwegian National Company for Contemporary Dance – for the production BIRGET: ways to deal, ways to heal. In 2022, she was awarded the Dance Critics' Prize for the dance-joik production Vastadus eana – The answer is land, and she is also behind several award-winning short films. 

Elle Sofe's artistic works often reveal a space where past and present converge – a collage of Sámi physicality, spirituality, and simple means. Elle Sofe has an MA in choreography from the Oslo National Academy of the Arts, was a featured artist at the Northern Norway Festival (2020, 2021) and is currently working on her first feature film, which will be the world's first joik musical. 

Her choreographic works are known for their playfulness, but she also delves into taboo themes in Sámi society, such as violence, abuse and suicide. As an indigenous artist, she seeks to create work that resonates as strongly with the community in which she lives as it does with the art world. 

About Hlín Hjálmarsdóttir Hide Show more

Hlín Diego Hjálmarsdóttir (b. 1978) is an Icelandic choreographer, dancer and rehearsal director based in Stockholm. She has an extensive dance career and has worked with companies such as the Cullberg Ballet, GöteborgsOperans Danskompani, Ultima Vez, the Iceland Dance Company and The Royal Swedish Ballet in Stockholm. Hjálmarsdóttir has collaborated with choreographers such as Mats Ek, Johan Inger, Crystal Pite, Sasha Waltz, Jiří Kylián, Ohad Naharin, Wim Vandekeybus, Sidi Larbi Cherkaoui, Alexander Ekman, Sharon Eyal, Emanuel Gat and many others.  

Hjálmarsdóttir's own work is shaped by her Icelandic heritage and her life as a dancer outside of her homeland, and her works are often inspired by human humility. Her latest work, Riptide, was produced in two stages: first as a film, then at the Royal Swedish Opera in Stockholm in February 2023. Hjálmarsdóttir's work demonstrates her endeavour to use multiple media in her art, such as film, still images, sculpture and dance. Although her themes can appear bleak, sadness and despair are overshadowed by courage and warmth, often expressed through an explosive sense of playfulness. 

On stage, the dancers perform alongside the joiker Lávre Johan Eira. The costumes are designed by Henrik Vibskov – the Danish fashion designer behind Ekman's A Swan Lake in water. Vibskov also designed the set for the production: a futuristic stage landscape that playfully interacts with nature and tradition. 

The costumes and set design are inspired by Sámi traditions, building practices and techniques – inspiration Vibskov gathered during a study trip to Kautokeino. 

Icelandic Valgeir Sigurðsson has composed an electronic soundscape that meets traditional and newly composed joiks – chanting songs of the Sami people – by Lávre Johan Eira and Sara Marielle Gaup Beaska. 

Láhppon/Lost is produced in collaboration with Sámi Našunálateáhter Beaivváš – The Sámi National Theater Beaivváš.

Artistic team and cast

  • Choreography
    Elle Sofe Sara, Hlín Diego Hjálmarsdóttir
  • Idea, consept
    Elle Sofe Sara
  • Dramaturg
    Alexandra Wingate
  • Music
    Valgeir Sigurðsson
  • Joik
    Sara Marielle Gaup Beaska, Lávre Johan Eira
  • Choir
    Vokal Nord
  • Set and costume design
    Henrik Vibskov
  • Lighting design
    Øystein Heitmann
  • Video design
    Cecilie Semec
  • Research
    Ellen Oddveig Hætta Gaup
  • Participants
    Norwegian National Ballet, Lávre Johan Eira
Price
150–790 kr

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Mennesker i en sal ser på bildet på en skjerm Photo: Erik Berg