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The Turn
of the
Screw

Portrett av gutt i lenestol Photo: Adam Olsson
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Running
17. January–​8. February
Scene
Main Stage
Duration
2 h 30 min / 1 Break

Benjamin Britten's wondrous operatic thriller

Get ready for gothic horror when a beautiful and disturbing chamber opera takes the Main Stage.

The screw tightens 

The Turn of the Screw is a classic ghost story, but something deeper lurks beneath the surface. We tumble into a world of ambiguity, where the boundaries between supernatural phenomena and inner psychology are blurred. The story is loaded with concealed tensions – both sexual and social.  

The creepy, claustrophobic atmosphere is enhanced by Britten's music. Shifting tonalities create a sense of instability, while the supernatural elements infiltrate and are drilled into us like a screw being tightened. 

Ghosts in broad daylight 

She is recruited by a handsome man in bustling London. He claims to be the only surviving relative of two young children living on an isolated estate, but he wants nothing to do with them. Full of questions and great ambitions about what she could accomplish, the young governess sets off. 

At first, everything is idyllic. The children are pure goodness and the property is beautiful. But then strange things start to happen. Mysterious figures appear alongside a growing sense of unease. Something is seriously wrong and the governess resolves to fight for the two children's souls, which she suspects are possessed by evil spirits. But are they really – or is she simply seeing things?    

A modern classic 

The Turn of the Screw was written by Benjamin Britten (1913-1976), a central figure in 20th century British classical music. Britten created everything from large choral works to sonatas and intimate versions of folk songs, but devoted the majority of his efforts to opera, composing a total of 16 works.  

Themes of lost innocence and exclusion run through many of Britten's operas, including The Turn of the Screw.  

Britten's Peter Grimes and Billy Budd were both successful productions with the Norwegian National Opera & Ballet, but this is the first time we are presenting The Turn of the Screw. The production is being staged by renowned theatre director Peer Perez Øian, who is making his Oslo Opera House debut with this production. 

About the music and text Hide Show more

The Turn of the Screw is a chamber opera, which means that the orchestra has only 13 performers, but the relatively few number of instruments are used effectively to create an amazing and atmospheric soundscape. 

The opera is tightly structured into two acts with eight scenes, each of which begins with an orchestral interlude that sets the mood. The interludes are based on a ‘screw’ theme – a series of 12 tones that rises in the first act and falls in the second – as a musical representation of a screw being tightened and released.  

As we often see in horror films, Britten creates a sense of eeriness by including British rules and children's songs, such as ‘Lavender's Blue’ and ‘Tom, Tom, the Piper's Son’. One of the opera’s most disturbing moments is when, in a trance-like state, Miles sings ‘Malo, malo’ – a word used as a mnemonic for beginning Latin learners. 

The text is based on Henry James’ short novel of the same name. Britten first became acquainted with it in 1932, when at the age of 18, he heard it read on the radio. “A wonderful, impressive but terribly eerie and scary play” the young man wrote in his diary. That same year, he read James’ text, which Britten regarded as a masterpiece. All the same, more than 20 years would pass before he began working on an opera version, after librettist Myfanwy Piper suggested the same story. Myfanwy was the wife of artist and set designer John Piper, who had been a friend and partner of Britten since the mid-1930s. 

The plot in brief 

A young lady is hired as a governess to look after two orphans, Miles and Flora. The children live on the remote estate of Bly Manor together with their maid, Mrs G. Groose. Their uncle lives in the city and wants to have as little to do with the children as possible. The governess has been given strict instructions to never write to him, never to ask about the history of the house and to never to leave the children. But she starts seeing the ghosts of two of the estate’s former employees, Peter Quint and Miss Jessel. She believes the ghosts are a threat to the two children and becomes increasingly concerned... 

A web of extraordinary events explores the themes of lost innocence, good, evil, the subconscious and the supernatural. 

Free introduction (in Norwegian) one hour before the performance

Artistic team an cast

  • Music
    Benjamin Britten
  • Libretto
    Myfanwy Piper
  • Conductor
    Antonio Mendez
  • Director
    Peer Perez Øian
  • Set design
    Etienne Pluss
  • Costume design
    Bianca Deigner
  • Lighting design
    Martin Flack
  • Participants
    Opera Orchestra
    • Prologen
        • 17. Jan 2026 18:00
        • 20. Jan 2026 19:00
        • 22. Jan 2026 19:00
        • 28. Jan 2026 19:00
        • 30. Jan 2026 19:00
        • 3. Feb 2026 19:00
        • 8. Feb 2026 18:00
    • Guvernanten
      • Johanna Wallroth
        • 17. Jan 2026 18:00
        • 20. Jan 2026 19:00
        • 22. Jan 2026 19:00
        • 28. Jan 2026 19:00
        • 30. Jan 2026 19:00
        • 3. Feb 2026 19:00
        • 8. Feb 2026 18:00
    • Mrs. Grose
        • 17. Jan 2026 18:00
        • 20. Jan 2026 19:00
        • 22. Jan 2026 19:00
        • 28. Jan 2026 19:00
        • 30. Jan 2026 19:00
        • 3. Feb 2026 19:00
        • 8. Feb 2026 18:00
    • Quint
        • 17. Jan 2026 18:00
        • 20. Jan 2026 19:00
        • 22. Jan 2026 19:00
        • 28. Jan 2026 19:00
        • 30. Jan 2026 19:00
        • 3. Feb 2026 19:00
        • 8. Feb 2026 18:00
    • Miss Jessel
        • 17. Jan 2026 18:00
        • 20. Jan 2026 19:00
        • 22. Jan 2026 19:00
        • 28. Jan 2026 19:00
        • 30. Jan 2026 19:00
        • 3. Feb 2026 19:00
        • 8. Feb 2026 18:00
Price
150–890 kr
Language
English
Subtitles
English and Norwegian
  • Saturday 17. January
    18:00 / Main Stage
    Not for sale
  • Tuesday 20. January
    19:00 / Main Stage
    Not for sale
  • Thursday 22. January
    19:00 / Main Stage
    Not for sale
  • Wednesday 28. January
    19:00 / Main Stage
    Not for sale
  • Friday 30. January
    19:00 / Main Stage
    Not for sale
  • Tuesday 3. February
    19:00 / Main Stage
    Not for sale
  • Sunday 8. February
    18:00 / Main Stage
    Not for sale

Intermission refreshments

Order pre-show food and drinks or to enjoy during intermission. If you want to pre-order for intermission, we recommend ordering from the bar closest to your seat in the auditorium. The bars are open before the performance and during intermission. All advance orders are sorted alphabetically by the last name of the person placing the order. You are not permitted to bring any drinks into the auditorium.
Vinglass på en bardisk i Operaen Photo: Fursetgruppen