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Orpheus
in the
Underworld

Closed
Noen av rollene i Orfeus med kostymer Photo: Agnete Brun

We apologise for canceling

Dear audience! Because of the infection control rules, we cancel all performances of Orpheus. We will send information to everyone who has bought a ticket as soon as possible but ask for understanding that this will take some time.

Comedian Vidar Magnussen debuts as director at the Oslo Opera House, with high party factor, serious social criticism, a whole lot of sheep and fantastic music.

This is exactly what is needed right now: a wacky world of gods where the party never ends and everyone dances the can-can!

At any rate, that is what Eurydice longs for. She is tired of the tedious Orpheus and being at his beck and call for what seems like an eternity. The time has come to say no, to laugh and to enjoy an operetta!

What is an operetta?

Opera – there are those who believe that opera is stuffy and serious, with nothing but love and death, grief and sorry and very little laughter. Well, for those who think this – think again. Meet opera’s little sister: operetta!
Operettas poke fun at opera, at us humans, at gods and at everything serious. And in Orpheus in the Underworld, we poke fun in Norwegian – in a completely new reinterpretation of the classic myth.

Mythically beautiful singing

There are several operas about Orpheus, who loses his wife, but sings so beautifully that he is allowed to descend into Hades, the kingdom of the dead, to rescue her.

But what if Orpheus is actually happy to be rid of Eurydice? And what if she does not actually want to be rescued?

For ordinary folk

Offenbach’s operetta presents such an alternative version. It toys with the myth, with upper-class taste and with power-hungry authorities. In Paris in 1858, some found this offensive, while others considered it to be liberating and exciting. Both die-hard fans and the offended had plenty of opinions on Orpheus in the Underworld. However, all of them were already incorporated into the performance as ‘public opinion’.

In our production, this role is ‘ordinary folk’ and ordinary folk have opinions on just about everything: on opera, on the story and on how it should end. But the ending will not be revealed here because ordinary folk do not like spoilers.


Vidar Magnussen debuts at the Oslo Opera House
Actor, comedian, scriptwriter and director Vidar Magnussen is best known for the TV series Magnus, Snøfall and Side om side. He won the Hedda Award for ‘best actor’ for his role as the master of ceremonies in Shockheaded Peter at the Norwegian Theatre and the Komiprisen award for ‘newcomer/breakthrough of the year’ for his performance in Mascarade at Den Nationale Scene. He directed the successful The Book of Mormon and Charlie and the Chocolate Factory at the Norwegian Theatre and is now debuting as a director at the Oslo Opera House.

Kunstnerisk team og medvirkende

  • Music
    Orfeus i underverdenen
  • Original title
    Orphée aux enfers
  • Libretto
    Hector Crémieux, Ludovic Halévy
  • Norwegian retelling
    Matilde Holdhus
  • Musical direction
    Tobias Ringborg
  • Direction
    Vidar Magnussen
  • Set Design
    Gjermund Andresen
  • Costume Design
    Ingrid Nylander
  • Lighting Design
    Torkel Skjærven
  • Choreography
    Stian Danielsen
  • With
    Operakoret, Operaorkestret
    • Folk
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Evrydike
    • Orfeus
    • Jupiter
    • Pluto
    • Cupido
    • Diana
    • Merkur
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Mars
    • Venus
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Minerva
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Juno
    • John Styx
    • Bacchus
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Elisabeth Schönfragen
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
    • Danser
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
      • Panisara Wanlopbanhan
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00
      • Stian Bergdølmo
        • 8. Dec 2021 19:00
        • 9. Dec 2021 19:30
        • 11. Dec 2021 18:00

Her kan du lese publikumsrollelisten med alle medvirkende:

Publikumsrolleliste_ORFEUS_I_UNDERVERDENEN.pdf

Synopsis

Plot

If you think you know the story of Orpheus and Eurydice, think again. According to the myth, Eurydice is bit by a serpent and dies. Using the power of music, Orpheus then attempts to bring her back from the underworld. Orpheus in the Underworld retells the myth about these tragic lovers.

In the world of humans, Eurydice despises her violin-playing husband Orpheus. She has fallen in love with Aristeus, who turns out to be Pluto, the ruler of the underworld, who has come to kill Eurydice and send her to the underworld for all eternity. Orpheus discovers the plan and is ecstatic – because he cannot stand Eurydice either. Public Opinion (in our version called ‘Everyday People’) wants the plot to play out and convinces Orpheus to try to save her. All right, it’s worth a shot.

In the world of the gods

In order to find Eurydice, Orpheus and Everyday People go to Olympus, where Jupiter rules over a whole bunch of gods. But he is struggling to keep them in line and they, in turn, find his leadership style to be old-fashioned, boring and unfair – especially for women.

Pluto arrives and announces that he has found himself a human lover. Jupiter becomes jealous and wants to join Pluto to meet this Eurydice. The gods then revolt because they, too, want to go to the underworld, where they won’t die of boredom. Just as Orpheus finally reaches Jupiter and his gang, the gods are making their way in direction of the underworld. The timing could not be better because Orpheus plans to join them. Everyday People are delighted that the story is moving in the right direction.

In the underworld

Down in the underworld, Eurydice is bored to tears. It turns out not to be as much fun as expected. Not only that, but she has to suffer the annoyance of men endlessly trying to grope her and is absolutely fed up with men in general. To get close to Eurydice, Jupiter turns himself into a fly. Great idea. As a fly, he attempts to make advances towards her. Very clever. Eurydice starts to realise that she does not need all of these silly men and would rather stand on her own two feet.

The deities then arrive and a huge celebration is held. Orpheus also eventually arrives and meets Eurydice in the underworld. But in following the myth to NOT turn to see if she is behind him, the entire encounter becomes a forgettable digression, as Eurydice could not care less. Everyday People are by and large satisfied, so what better way to end the story than with a can-can!