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The Magic Flute

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Running
20. November–​18. January
Scene
Main Stage
Duration
3 h / 1 break

Cinematic opera magic from Barrie Kosky

Mozart’s The Magic Flute is one of the world's most beloved operas – a fantastical blend of comedy, magic and profound human insight. Experience it in a spectacular visual production that fuses opera with film aesthetics.

Strange dream of eternal love 

Prince Tamino falls head over heels for a portrait of Princess Tamina and embarks on a quest to save her from the evil Sarastro. Tamino and Pamina’s dream worlds collide, becoming one strange dream – or is it a nightmare? Lurking in the background is the oddball bird catcher Papageno. 

This surreal and enchanting love story features flying elephants, soaring butterfly boys, the Queen of the Night as a menacing spider and far more riddles than answers.    

Blockbuster success from acclaimed director 

Director Barrie Kosky was behind last year's critically acclaimed Dialogues des Carmélites, described by NRK’s Eystein Sandvik as “simply a triumph”. Together with the British theatre company 1927, he has now created a unique version of one of the world’s most performed operas. 

Since premiering at Komische Oper Berlin in 2012, the production has held over a million audience members spellbound in more than 45 cities around the world. It is now being performed in Norway for the first time. 

Deliciously absurd mix of silent film and cartoon

Berliner Morgenpost 

Colourful silent film

Kosky and 1927's production is inspired by the silent films of the 1920s. The stage turns into a living canvas where singers and black-and-white animations interact in an impressive visual choreography. The result is a Magic Flute like no other: playful, whimsical, and irresistibly beautiful. 

This is an opera where an eight-year-old and an eighty-year-old can sit next to each other in the theatre and each have a profound experience. 

Much-loved classic 

The Magic Flute is Wolfgang Amadeus Mozart’s final opera, with a libretto by Emanuel Schikaneder, who personally starred as Papageno when it premiered in 1791. It features great stylistic musical variety and some of opera history's most famous arias, from the Queen of the Night’s breakneck coloraturas to Papageno’s chirpy birdsongs. 

“They have reimagined and evolved an old story so thoroughly and energetically that it has lifted the bar for any subsequent retelling.”

– Brigid Delaney, The Guardian 

 

  • Free introduction (in Norwegian) one hour before the performance
  • Rental production from Komische Oper Berlin

Synopsis

The Magic Flute follows Prince Tamino and the bird-catcher Papageno on a journey through trials to attain wisdom and love. Tamino is tasked with rescuing Pamina, the daughter of the Queen of the Night, from Sarastro, but discovers that Sarastro is not as evil as he was made out to be. With the help of a magic flute and three wise boys, Tamino and Pamina overcome trials of silence, temptation, and fire and water. Love and music guide them through the dangers, and in the end, they can be together forever. Papageno also finds his Papagena, and the Queen of the Night is defeated.

In a dark forest, far away …

As he flees from a dangerous giant serpent, Tamino is rescued at the last second by the three ladies who serve the Queen of the Night. When he regains consciousness, the first thing Tamino sees is Papageno, and he believes him to be his rescuer.

Papageno, a bird catcher in search of love, does nothing to dispel the misunderstanding. The three ladies return and punish Papageno for his lies by rendering him mute. They show Tamino a picture of Pamina, the daughter of the Queen of the Night. Tamino instantly falls in love with Pamina.

Shortly thereafter, the Queen of the Night herself appears and tells Tamino of her daughter’s kidnapping at the hands of Sarastro. Tamino responds with great enthusiasm to her command that he free Pamina. The three ladies give Papageno back his voice and instruct him to accompany Tamino. As a protection against danger, they give Tamino the gift of a magic flute, while Papageno receives magic bells. The three ladies declare that three boys will show Tamino and Papageno the way to Sarastro.

Pamina is being importuned by Sarastro’s slave Monostatos. Papageno, who has become separated from Tamino on the way to Sarastro, is as scared by the strange appearance of Monostatos as the slave is by Papageno’s. Alone with Pamina, Papageno announces that her rescuer Tamino will soon arrive. Papageno himself is sad that his search for love has thus far proved fruitless. Pamina comforts him.

The three boys have led Tamino to the gates of Sarastro’s domain. Although he is initially refused entry, Tamino begins to doubt the statements made by the Queen of the Night regarding Sarastro. He begins to play on his magic flute, and enchants nature with his music.

Papageno meanwhile flees with Pamina, but they are caught by Monostatos and his helpers. Papageno’s magic bells put their pursuers out of action. Sarastro and his retinue then enter upon the scene. Monostatos leads in Tamino. The long yearned-for encounter between Tamino and Pamina is all too brief. Sarastro orders that they must first face a series of trials.

The trial of silence

Tamino and Papageno must practise being silent. Because of the appearance of the ladies and their warnings, their ordeal is a truly testing one. Tamino remains resolute, while Papageno immediately begins to chatter.

Meanwhile, Monostatos again tries to get close to the sleeping Pamina. The Queen of the Night appears and orders her daughter to kill Sarastro. Pamina remains behind, despairing. Sarastro seeks to console Pamina by foreswearing any thoughts of revenge.

The trial of temptation

Tamino and Papageno must resist any temptation: no conversation, no women, no food!

As well as the magic flute and magic bells the three boys also bring Tamino and Papageno food, which Tamino once again steadfastly resists. Even Pamina fails to draw a single word from Tamino’s lips, which she interprets as a rejection. She laments the cooling of Tamino’s love for her.

Before the last great trial, Pamina and Tamino are brought together one last time to say farewell to one another.

Papageno is not permitted to take part in any further trials. He now wishes for only a glass of wine – and dreams of his great love.

For her part, Pamina believes that she has lost Tamino forever. In her despair, she seeks to end her own life, but is prevented from doing so by the three boys, who assure her that Tamino still loves her. Gladdened and relieved, Pamina accepts their invitation to see Tamino again.

Reunited at last, Tamino and Pamina undergo the final trial together.

The trial of fire and water

The music of the magic flute and their love for one another allow Tamino and Pamina to conquer their own fear and overcome the dangers of fire and water.

Papageno is meanwhile still unsuccessful in his search for his great love. Despairing, he now also seeks to end his life, but is also prevented from doing so by the three boys. Papageno’s dream finally comes true: together with his Papagena, he dreams of being blessed with many children.

Meanwhile …

… the Queen of the Night, the three ladies, and the turncoat Monostatos arm themselves for an attack against Sarastro and his retinue. However, the attack is repelled.

Tamino and Pamina have reached the end of their trials, and can finally be together.

Artistic team and cast

  • Music
    Wolfgang Amadeus Mozart
  • Original title
    Die Zauberflöte
  • Libretto
    Emanuel Schikaneder
  • Conductor
    Kristiina Poska, Aage Richard Meyer
  • Director
    Barrie Kosky, Suzanne Andrade
  • Set and costume design
    Esther Bialas
  • Video design
    Paul Barritt
  • Concept
    1927 (Suzanne Andrade, Paul Barritt) og Barrie Kosky
  • Revival Director
    Esteban Muñoz Herrera
  • Participants
    Opera Chorus and Opera Orchestra
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    • Papageno
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    • Monostatos
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    • Første ridder
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    • Andre ridder
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Price
150 - 990 kr
Language
German
Subtitles
English and Norwegian
  • Thursday 20. November
    19:00 / Main Stage
    Buy Few tickets
  • Friday 21. November
    19:00 / Main Stage
    Sold out
  • Saturday 22. November
    18:00 / Main Stage
    Sold out
  • Monday 1. December
    19:00 / Main Stage
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  • Thursday 4. December
    19:00 / Main Stage
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  • Wednesday 10. December
    19:00 / Main Stage
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  • Saturday 13. December
    18:00 / Main Stage
    Sold out
  • Tuesday 16. December
    19:00 / Main Stage
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  • Thursday 18. December
    19:00 / Main Stage
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  • Monday 29. December
    18:00 / Main Stage
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  • Wednesday 31. December
    17:00 / Main Stage
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  • Monday 5. January
    19:00 / Main Stage
  • Tuesday 6. January
    19:00 / Main Stage
  • Thursday 8. January
    19:00 / Main Stage
  • Friday 9. January
    19:00 / Main Stage
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  • Saturday 10. January
    18:00 / Main Stage
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  • Tuesday 13. January
    19:00 / Main Stage
  • Friday 16. January
    19:00 / Main Stage
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  • Sunday 18. January
    18:00 / Main Stage
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Intermission refreshments

Order pre-show food and drinks or to enjoy during intermission. If you want to pre-order for intermission, we recommend ordering from the bar closest to your seat in the auditorium. The bars are open before the performance and during intermission. All advance orders are sorted alphabetically by the last name of the person placing the order. You are not permitted to bring any drinks into the auditorium.
Vinglass på en bardisk i Operaen Photo: Fursetgruppen